The spy war meets the financial dark war. The audience in Shanghai has a hot discussion. The IQ of both the villain and the villain in the drama "The Windchaser" is online.

  The unpredictable turbulent situation, the tense financial dark war, and the childlike heart of serving the country with fists and fists … … YiBo, Li Qin and Wang Yang are starring in The Wind Chaser, which is being broadcast on CCTV. This TV series connects the ever-changing financial circles in Shanghai in the 1930s from the perspective of nobody, and innovatively combines the spy war of the Republic of China with financial themes. Yao Xiaofeng, the director of the play, said frankly: "This play is about the choice of roads and beliefs. It is textured and emotional, and I hope that the audience will feel the same way."

  The financial perspective is unique and fresh.

  With the background of Shanghai in 1930s, The Wind Chaser tells the story that Wei Ruolai (YiBo), a patriotic young man, gradually gained the appreciation of Shen Tunan (Wang Yang), a senior adviser of the Central Bank, with his excellent working ability, and got to know Shen Tunan’s sister and Shen Jinzhen (Li Qin) in the process of growing up and fought together.

  The theme of the Republic of China is common in the drama market, but Chasing the Wind rarely takes the financial perspective as an innovative breakthrough, and the plot combs out a little-known financial context, presenting "a war without smoke". In recent years, director Yao Xiaofeng has been thinking about how to find what he wants to express in his film and television works. When the script of The Wind Chaser was put before him, he had the impulse to shoot. "I think the script is very interesting, because it has a unique perspective. It cuts into the spy battle from the financial perspective, and few people pay attention to the relationship between economy and the times, which is exactly what I got from years of historical study."

  The financial angle is the unique feature of Chasing the Wind, but the acceptance threshold of the original script is relatively high, which means that not everyone can enjoy such TV series, which is why it took Yao Xiaofeng six years to present Chasing the Wind to the audience. In the production process, Yao Xiaofeng and the creative team created the characters and events in a simple way through the second creation, which smoothed out all the "thresholds" for watching the drama, so that the audience could devote themselves wholeheartedly to the plot.

  All the characters bring emotional tension.

  Despite the complicated historical background, The Wind Chaser is developed from the perspective of the workplace, and the spy war and the workplace are intertwined in the opening story. "The story tells the story of a fledgling rookie, groping his way forward in a vast world, gradually recognizing the direction and determining his own life path." Yao Xiaofeng believes that such stories can resonate with young people.

  Starting from the troubled times of the little characters, the story has not only the tense confrontation of financial confrontation, but also the tenderness of embracing each other in the torrent of the times. The emotional pull between different characters brings rich experience to the audience. Many netizens commented that "Chasing the Wind" is a rare work in the recent spy war drama. "Decent and high IQ, villains are smart, and all acting skills are online."

  A group of young people, represented by Wei Ruolai, make choices again and again in the face of the torrent of the times. The plot constructs the complex relationship between Wei Ruolai, Shen Jinzhen and Shen Tunan. Yao Xiaofeng said that the purpose of shaping the personal feelings among the three people, including the feelings of mentoring, brother and sister and friends, is to let them first establish a friendship that was exchanged for blood in blood shed. And when there are differences, they will suddenly find themselves caught in a huge black net. Under the strong emotion, everyone must feel tangled when facing the choice of faith. In addition, the drama pays more attention to personal growth and the present reality, which contains many expressions, "I hope that the audience can see their own figure in the drama and look for answers in real life in history."

  The "raw edge feeling" of life in retro style

  In the play, around Wei Ruolai, the protagonist, a Qibao Street is presented, with a strong atmosphere of life in the streets and lanes, showing the regional characteristics of old Shanghai during the Republic of China. The drama strives to present a "raw sense" of life in terms of scenery, props and clothing, bringing a retro style of life aesthetics. Yao Xiaofeng introduced that two or three days before the start of the crew, the art team delivered the scenery of Qibao Street, but he felt that the atmosphere was wrong, so he destroyed the built scenery under great pressure and rebuilt a more dilapidated environment. The cabin rented by Wei Ruolai in the play was spacious and warm at first, but Yao Xiaofeng insisted on making the space more cramped. "Only in this way can we present the sentient beings of the bottom people at that time, which is in sharp contrast with the Shanghai beach of Shili Ocean Field."

  Wei Ruolai, played by YiBo, initially had a delicate design scheme, but Yao Xiaofeng demanded to remove the sense of exquisiteness and truly reproduce a simple youth image. The final shape was determined after several rounds of makeup fixing. At the beginning of the story, Wei Ruolai’s dress is shabby, with patches on his clothes and socks showing his toes. When I went to the Central Bank for an interview, the coat that Wei Ruolai wore was not her own, but was found by Zhou Yi, a neighbor who opened a washing and dyeing shop. In the play, Wei Ruolai wandered around the world in this ill-fitting dress. Yao Xiaofeng was very satisfied with YiBo’s performance. "I want a clean and green boy, and it turns out that this choice is right. In YiBo, I saw his most sincere pursuit of performance. "

  In the current broadcast story, the relationship between Wei Ruolai and Shen Tunan has changed from the kindness of knowing the situation to the friendship of being a teacher and a friend. Yao Xiaofeng’s "spoiler" said that the ingenious thinking of modeling design also runs through the whole drama, and in the later story, the two sides eventually went to opposition because of their respective choices. Under the inspiration and guidance of Shen Jin, a member of the underground party of the Communist Party of China, Wei Ruolai embarked on a bright road to Ruijin without hesitation. When Wei Ruolai resolutely decided to give up all the prosperity of Shanghai, he put on his torn cotton-padded jacket and "broke" with everything he got. (Reporter Qiu Wei)